SELECTED PROP DESIGN
AFTER THE BLAST (2017)
AFTER THE BLAST by Zoe Kazan
"There’s a robot! There’s a robot onstage! There’s an impossibly cute little remote-controlled robot onstage and it’s gray with yellow fuzz and has big black eyes and it looks like what might happen if R2-D2 had a threeway with a penguin and a Minion." - Adam Feldman, Time Out
"...overwhelmingly adorable..." - Sarah Holdren, NY Magazine / Vulture "...squat, vacuum-cleaner-like contraption..." - Ben Brantley, NY Times "...an exceptionally cute robot who looks like an Oxycodone capsule, except with black-pool eyes and penguin-like flippers for arms." - Jeremy Gerard, Deadline "...if a very fancy vacuum cleaner had sex with an iPhone, Arthur might be the result." - Tim Teeman, The Daily Beast "R2D2 in a Snuggle." - Zachary Stewart, TheaterMania |
produced by LCT3, directed by LILA NEUGEBAUER, designed by DANIEL ZIMMERMAN, ERIC SOUTHERN, KAYE VOYCE, BRANDON WALCOTT, LUCY MACKINNON, NOAH MEASE, props assistance by RYAN COURTNEY, robot fabrication in collaboration with PAUL SMITHYMAN and ACHESON WALSH STUDIOS
AN OCTOROON (2014-2015)
HADESTOWN (2016)
HE BROUGHT HER HEART BACK IN A BOX (2018)
JOHN (2015)
NATASHA, PIERRE & THE GREAT COMET OF 1812 (2013-2017)
NATASHA, PIERRE & THE GREAT COMET OF 1812 by Dave Malloy
produced at the pop-up tent KAZINO, the AMERICAN REPERTORY THEATER, and at the IMPERIAL THEATER, directed by RACHEL CHAVKIN, choreographed by SAM PINKLETON, designed by MIMI LIEN, BRADLEY KING, PALOMA YOUNG, NICHOLAS POPE, MATT HUBBS, NOAH MEASE, kazino props assistance by CAROLYN MRAZ and LIZZY LEE, a.r.t. prop master CINDY LEE-SULLIVAN, broadway prop shop BB PROPS, imperial house props HEIDI BROWN, broadway head props BRIAN SCHWEPPE
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OKLAHOMA! (2018)
OKLAHOMA! by Richard Rogers & Oscar Hammerstein
produced by ST. ANN'S WAREHOUSE and at CIRCLE IN THE SQUARE, directed by DANIEL FISH, choreographed by JON HEGINBOTHAM, with new musical arrangements by DANIEL KLUGER, designed by LAURA JELLINEK, TERESE WADDEN, SCOTT ZIELINSKI, DREW LEVI, JOSHUA THORSON, NOAH MEASE
PLAYS BY THE DEBATE SOCIETY (2012-2017)
BLOOD PLAY // JACUZZI // THE LIGHT YEARS
BLOOD PLAY (2012)
was produced by THE BUSHWICK STARR and THE PUBLIC (UNDER THE RADAR FESTIVAL), written by HANNAH BOS and PAUL THUREEN, directed and developed by OLIVER BUTLER, designed by LAURA JELLINEK, MIKE RIGGS, SYDNEY MARESCA, BEN TRUPPIN-BROWN, NOAH MEASE JACUZZI (2014) was produced by ARS NOVA, written by HANNAH BOS and PAUL THUREEN, directed and developed by OLIVER BUTLER, designed by LAURA JELLINEK, BRADLEY KING, JESSICA FORD, M.L. DOGG, NOAH MEASE THE LIGHT YEARS (2017) was produced by PLAYWRIGHTS HORIZONS, written by HANNAH BOS and PAUL THUREEN, directed and developed by OLIVER BUTLER, designed by LAURA JELLINEK, RUSSELL H. CHAMPA, MICHAEL KRASS, LEE KINNEY, NOAH MEASE (contraptions, proscenium & attic), prop master ANNA DEMENKOFF |